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Histoire intellectuelle de l'Occident médiéval
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ISBN: 2200016492 2200270461 9782200016494 Year: 1998 Publisher: Paris Colin

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Kultureller Austausch und Literaturgeschichte im Mittelalter : Kolloquium im Deutschen Historischen Institut Paris, 16.-18.3.1995
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ISBN: 3799573445 9783799573443 Year: 1998 Volume: 43


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Oraliteit.
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ISBN: 9053562877 Year: 1998 Publisher: Amsterdam Amsterdam university press


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Nimm, lies : Augustinus als Vorbild (exemplar) und Regel (regula) klösterlicher Buch- und Lesekultur im späten Mittelalter.
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ISBN: 3980546934 Year: 1998 Publisher: Paring Augustiner-Chorherren-Verl.

Emoties in de Middeleeuwen
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ISBN: 9065502955 Year: 1998 Volume: 15 Publisher: Hilversum Verloren

Obscenity : social control and artistic creation in the European Middle Ages
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ISSN: 13825364 ISBN: 9004109285 9789004109285 Year: 1998 Volume: . 4 Publisher: Leiden: Brill,


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Éducation et cultures dans l'Europe occidentale chrétienne (du XIIe au milieu du XVe siècle).
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ISBN: 2729868305 Year: 1998 Publisher: Paris Ellipses


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De zinnelijke Middeleeuwen
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ISBN: 9061526965 9789061526964 Year: 1998 Volume: 37 Publisher: Leuven Davidsfonds

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Zinnelijk verwijst letterlijk naar de vijf zinnen, die keurig verdeeld zijn over de diverse hoofdstukken : smaken (wijn en voeding), zien (de vrouwelijke schoonheidscanon en betekenis van kleuren), voelen (stoffen van kleren en mode), ruiken (zowel stank als wierookwalm), horen (zang, muziek, instrumenten).

Painting in Bruges at the close of the Middle Ages : studies in society and visual culture
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ISBN: 0271016531 9780271016535 Year: 1998 Publisher: University Park (Pa.) : Pennsylvania state university press,

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This study examines the coming together of the opulent Burgundian court, an affluent urban bourgeoisie, and an increasingly expanding community of painters, and the effects of this dynamic social configuration on the newly emerging art of oil painting. Members of the urban patriciante were influenced by the nobility's culture of display and found that painting effectively served their needs for representations of their aspirations for social advancement. In commissioning altarpieces for ecclesiastical interiors, patrons were also concerned to include their portraits and coats of arms in an effort to promote the status and prestige associated with their families.

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